Back in 1978 when Grease was the word, I was on a school tour bussing our way around Tasmania. Grease the movie had just come out and like everyone else in the day we were obsessed with it, in particular, the music, featuring our very own Olivia Newton-John as Sandy. The soundtrack went into the bus cassette player and stayed there on repeat for 10 days. Imagine how traumatised that poor bus driver would have been by the end of our tour, probably his last.
Earlier this month, we saw Grease the stage production at Marina Bay Sands here in Singapore, and it was sensational. I did not realise it at the time but Gretel Scarlett who plays Sandy is from our hometown of Rockhampton!
Grease is of course now officially iconic – 36 years on and grease is still the word with sold-out audiences the world-over. In the USA, Grease (the movie) is still the #1 highest-grossing musical of all time. Interestingly, the sequel with a different cast was a flop which probably surprised everyone given the immense success of the original but it is a lesson we see often whether it is movies or books. The temptation to repeat phenomenal success with a sequel is understandable and it is often only with hindsight that it becomes clear that the original cannot be duplicated because its unique elements combined ie actors, story, production, music equalled the magic formula that everyone hopes to find but most simply stumble upon it.
The other difficulty for sequels is that they are inherently burdened with the expectation that did not weigh down the first in a series. More often than not, they do not measure up and rarely do they exceed the first. The Matrix sequels, especially the third instalment, in my opinion, had a difficult mountain to climb after the first movie which was an original concept with a plot that left you wondering about reality.
The sequel to Bridget Jones’ Diary suffered a similar fate and is a perfect example of producers wishing to ‘bottle’ the magical formula they stumbled upon to feed it back to the audience for a similar outcome. However, the fine balance of success elements in the first Bridget Jones movie were over-delivered in the second turning the cleverness into silliness and the relatable into contrived according to critics. I still enjoyed it but not nearly as much as the first.
The magic that is success is after all a formula – that means each element has to be added in precise parts; the slightest bit too much of one and/or not enough of another creates an altogether different proposition which won’t necessarily appeal to the audience that loved the first. Many claim to know the secret formula to success yet no matter what industry you view, even the most successful stumble along the way proving it’s still very much a guessing game, some are just better guessers.